A tale which follows the comedic and eventful journeys of two fish, the fretful Marlin and his young son Nemo, who are separated from each other in the Great Barrier Reef when Nemo is unexpectedly taken from his home and thrust into a fish tank in a dentist's office overlooking Sydney Harbor. Buoyed by the companionship of a friendly but forgetful fish named Dory, the overly cautious Marlin embarks on a dangerous trek and finds himself the unlikely hero of an epic journey to rescue his son.
|Release Date||:||May 30, 2003|
|Production Company||:||Walt Disney Pictures, Pixar Animation Studios, Disney Enterprises|
|Production Countries||:||United States of America|
|Director||:||Andrew Stanton, Lee Unkrich, Craig Good|
|Writers||:||Bosco Ng, Andrew Stanton, Bob Peterson, David Reynolds, Ronnie del Carmen|
|Casts||:||Albert Brooks, Ellen DeGeneres, Alexander Gould, Willem Dafoe, Brad Garrett, Allison Janney, Austin Pendleton, Stephen Root, Vicki Lewis, Joe Ranft, Geoffrey Rush, John Ratzenberger, Andrew Stanton, Bob Peterson, Barry Humphries, Eric Bana, Elizabeth Perkins, Nicholas Bird, Bill Hunter, Bruce Spence, LuLu Ebeling, Jordan Ranft, Erica Beck, Erik Per Sullivan, Rove McManus, Carlos Alazraqui, Phil Proctor, Jim Ward, Laura Marano, Vanessa Marano, Daryl Sabara, Evan Sabara, Jess Harnell, Jan Rabson|
|Plot Keywords||:||predator, harbor, animation, seagull, underwater, pelican, fish tank, great barrier reef, dentist, jellyfish, diver, missing child, no opening credits, marina, aftercreditsstinger, duringcreditsstinger, short term memory loss, clownfish, father son reunion, seahorse, manta ray, impressionist, filth, pixar|
Marlin, a nervous and neurotic clownfish is heavily overprotective of his son Nemo, who only wants to explore the sea in its entirety. When Nemo gets caught by a scuba diver and taken away, it is up to Marlin to swallow his own fears and find Nemo. The ensuing search and rescue organized by the him is a mass effort by swimming and flying creatures of all sizes and personalities, such as a threesome of vegetarian sharks, a fish with short term memory and an aged turtle, all helping him realise the error of his ways in restricting himself to just his home.
As charming as it is beautiful, Finding Nemo is a joy, both visually and cinematically. The characters are all so appealing and sweet that you want to hug each and every one of them, Nemo and Dory in particular. But the film transcends above just a generic animated film, for there are lessons to be learnt by it too. The film often tells a children's tale from an adult's point of view, with risky situations and emotional soul-searching putting stress on a disjointed family.
The sea is brought to us in such a memorable and unique way that there is brilliance and beauty in every frame. The animation is of all time high for Pixar, and the sound mixing and editing are also to be credited, as they capture the heart of the sea creditably. But perhaps the best thing about the film is the musical score by Thomas Newman. He creates the essence of the sea, as well as the emotions felt by the fish throughout. Note the masterwork that occurs as an upbeat, jovial number quickly escalates into something darker in a matter of minutes. In short, the music is superb.
The voice cast are capable and cannily chosen, from young Alexander Gould as the naïve Nemo, as well as Albert Brooks as the bumbling Marlin. But the star of the show is Ellen DeGeneres as Dory. As the forgetful but caring fish, she is sweet and soulful, and provides much of the comedy of the film. But the humour is also provided by the great script, which delivers a potentially dull story with wit and soul, and shies away from the sentimentality that could so easily arise of a Disney film. And the jokes, what jokes from satire, spoof and slapstick, they'll be a one-liner for everybody here.
Gorgeous to look at and utterly adorable, Finding Nemo sets the standard for how animated movies should being terms of entertainment value as well as story and themes ending with the touching, thought-provoking message of how too much protectiveness on the parent's side will repel, but, no matter how independent a child (or fish) believes themselves to be, they'll always need their parents.