Finding Neverland is an amusing drama about how the story of Peter Pan and Neverland came to be. During a writing slump play writer J.M. Barrie meets the widowed Sylvia and her three children who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece “Peter Pan.”
|Release Date||:||October 17, 2004|
|Production Company||:||Miramax Films, Film Colony|
|Production Countries||:||United Kingdom, United States of America|
|Writers||:||David Magee, Allan Knee, Allan Knee|
|Casts||:||Johnny Depp, Kate Winslet, Julie Christie, Dustin Hoffman, Freddie Highmore, Radha Mitchell, Kate Maberly, Joe Prospero, Nick Roud, Luke Spill, Eileen Essell, Ian Hart, Kelly Macdonald, Tim Potter, Toby Jones, Angus Barnett, Mackenzie Crook, Rosie Ede, Tobias Menzies|
|Plot Keywords||:||london, scotland, parents kids relationship, becoming an adult, fantasy, mother role, childhood memory, success, widow, theatre play, stroke of fate, costume, peter pan, theatre group, adventure, loss of husband, marriage crisis, theatre milieu, friendship, faith, single, mother daughter relationship, author, pirate, fantastic, illness, spectacle, child|
Every holiday season Harvey Weinstein and Miramax talk up one of their properties, fully expecting everyone to bow and throw awards at it as soon as it's released. This year it's Finding Neverland, which has produced a lot of buzz in favor of Johnny Depp's sophisticated performance. Although the film deserves all the praise it gets, it is understandable that moviegoers are a little weary with another dramatic period piece, with another "oscar caliber" cast, about yet another take on Peter Pan.
The bottom line is, this movie is phenomenal. Exploring the major theme of Barrie's play (that of a boy who never grows up), Finding Neverland refrains from condemning grown-ups, but exalts the wild magic one can enjoy as a kid. For James, who had to deal with his family's reticence upon the death of his brother, the real tragedy occurs when a child is forced to grow up too fast.
My favorite idea from this film is this: life finds a way to put into our lives the people we're supposed to be living our lives with. James and Sylvia needed each other, and they needed each other at that particular time. Life took care of them.
The film does indeed move at a snail's pace. Consider that part of the set design. Just as the characters go about 1905 London in top hats and buttoned-down gowns, so does the movie develop in a manner which would have been fitting for a time which preceded MTV-generation attention spans by about a hundred years.
As for the acting, it is wonderful. Depp is understated and gallant, Kate Winslet is lovely and tragic, and they're both better than I've ever seen them. Julie Christie is brutally ominous as the matriarch who can gum up everyone's happiness. Dustin Hoffman, although out of place, brings a dry wit as a risk-taking businessman. The boys playing the Davis kids are a lot of fun to watch and play their dramatic parts perfectly.
If you want something where all the pieces of the magic puzzle that is movie-making come together with grace, charm, and humanity, you won't find a more rewarding film than this.