A drama based on the true story of a college professor's bond with the abandoned dog he takes into his home.
|Release Date||:||June 13, 2009|
|Production Company||:||Grand Army Entertainment, Scion Films, Inferno Distribution, Stage 6 Films, Hachiko, Opperman Viner Chrystyn Entertainment|
|Production Countries||:||United Kingdom, United States of America|
|Director||:||Lasse Hallström, Cara Giallanza, Robin Squibb|
|Writers||:||Stephen P. Lindsey, Jason Mayoh|
|Casts||:||Richard Gere, Joan Allen, Jason Alexander, Cary-Hiroyuki Tagawa, Sarah Roemer, Erick Avari, Davenia McFadden, Robbie Sublett, Tora Hallström, Bates Wilder, Rich Tretheway, Ellen Becker-Gray, David Boston, Robert Capron, Becki Dennis, John Franchi, Adam Masnyk, Roy Souza|
|Plot Keywords||:||japanese, loyalty, human being-animal relationship, friendship, friends, family relationships, dog, newspaper reporter, family dog, waiting|
Knowing the real-life story behind it, Hachiko: A Dog's Story (2009) has been made in a sort of staged documentary style, similar to the kind of movies often seen on documentary channels (e.g. NatGeo), however without a narrator so common in documentaries, and including well-known actors (Richard Gere, Sarah Roemer and Joan Allen), making it more suitable for theatrical distribution.
Before my last year's visit to Tokyo I've been unaware of the true-life story this movie is based upon. In time an occasion came up to meet a friend in Shibuya city, contemporary center of Tokyo's youth culture (shopping, fashion, nightlife...), and that's how I've learned about the popular local meeting point for all Tokyoites, the Hachikō Akita dog statue just outside of Shibuya Train Station, but the real story behind it has been still eluding me ever since. After seeing this movie, and some additional research on the web, all pieces have fallen into place.
In retelling the story of common bonding between the dog and its owner, so usual that it comes so natural, film is moving at slow pace, following events of an ordinary life, though not without occasional comedic and dramatic overtones. Even past the dramatic highpoint, when common acts of affection and loyalty evolve towards such an unheard-of faithfulness and ultimate devotion, pace of the storytelling does not change, relying primarily on fine details and emotional build-up. Of course, this might not attract everybody, providing that majority of movie audience today is highly dependent on fast paced, action packed scenes, getting thrills from 3D CG stylized ambiance and suspense, high volume amplitudes and aggressive, often rude highlights of any other nature. However, for those who can do without it, and keep alive their interest even in a simple story, who won't shy away from emotional involvement (as if this can be controlled), they shall easily find themselves consumed by its mere beauty and warmth. Usual man's-best-friend story, spiced with an intriguing yet inspiring detail, shall leave you a bit sad, inevitably pensive, but ultimately delighted. Even more so after the reading of the real-life epilogue.