When Sophie, a shy young woman, is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking home.
|Release Date||:||November 19, 2004|
|Genres||:||Fantasy, Animation, Adventure|
|Production Company||:||Studio Ghibli, Buena Vista Home Entertainment, Mitsubishi, d-rights, Tohokushinsha Film Corporation|
|Writers||:||Hayao Miyazaki, Diana Wynne Jones|
|Casts||:||Takuya Kimura, Akihiro Miwa, Tatsuya Gashûin, Mitsunori Isaki, Yo Oizumi, Akio Ôtsuka, Daijiro Harada, Haruko Kato, Ryunosuke Kamiki, Chieko Baishô|
|Plot Keywords||:||flying, witch, rain, castle, scarecrow, body exchange, hatter, bakery, demon, anime|
Howl's Moving Castle is as marvelous and magical as Miyazaki's other great work. Something in Disney's advertising or the description I read gave the false impression that it was going to be sub-standard work meaning it was still going to be better than anything DreamWorks Animation was doing (Madagascar was sooo pedestrian).
While not as awe-inspiring as Spirited Away or action-packed as Mononoke, it does work on the level of Kiki's Delivery Service as a girl is forced to be better than she thinks she can be (well, that's not a big surprise, that's all his films). And as with all Miyazaki stories, the story teaches without being preachy. And the lessons learned are represented in character changes and in the character's physical appearance as well. It's that same attention to detail that has made Pixar so great.
The animation is wonderful. The castle is itself is a mesh-mash of so many haphazardly arranged pieces that an engineer would have an aneurysm just sorting them all out and yet it works. Through magic, of course. The magic being Howl's and the authoritative hand of Miyazaki's direction. The airships (wow, airships in a Miyazaki film? Who would have thunk?) are great variations of one's he's used before and there are some rather dark and beautiful scenes of a world at war.
Most of the voice work was very strong including Christian Bale (Howl) and Emily Mortimer (as the young version of the heroine, Sophie). The voice that surprised me was Billy Crystal as Calcifer, the little flame that could. He's the heart of the castle and only annoyed at his first few scenes then becomes a very likable character.
There a few clunky moments in the plot line where transitions between story points weren't very strong, but overall it's another outstanding film from Studio Ghibli. Even my 40 year old partner, who had spent the day mountain biking, was dead tired and had never seen a Miyazaki film stayed awake for the entire 2 hours. When we left at 3:30 in the morning still jabbering away about all the imagery and meaning, we realized we had seen true art.