Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.
|Original Title||:||El laberinto del fauno|
|Release Date||:||May 27, 2006|
|Genres||:||Fantasy, Drama, War|
|Production Company||:||Picturehouse Entertainment|
|Production Countries||:||Mexico, Spain, United States of America|
|Director||:||Guillermo del Toro, Carmen Soriano|
|Writers||:||Guillermo del Toro, Raúl Monge|
|Casts||:||Ivana Baquero, Maribel Verdú, Sergi López, Doug Jones, Ariadna Gil, Alex Angulo, Roger Casamajor, Manolo Solo, César Vea, Ivan Massagué, Gonzalo Uriarte, Eusebio Lázaro, Francisco Vidal, Juanjo Cucalón, Lina Mira, Mario Zorrilla, Sebastián Haro, Mila Espiga, Pepa Pedroche, Lalá Gatóo, Ana Sáez, Chani Martín, Milo Taboada, Fernando Albizu, Pedro G. Marzo, José Luis Torrijo, Íñigo Garcés, Fernando Tielve, Federico Luppi, Chicho Campillo, Pablo Adán|
|Plot Keywords||:||spain, servant, anti hero, fairy, fairy tale, army, princess, love, woods, king, hiding, labyrinth|
I saw the film at FrightFest in London a couple of days ago, and was pretty well sure I'd be seeing something special - but I ended up seeing a film that is downright extraordinary. Brutal but beautiful, magical yet earthy, it has a remarkable cast, with standout performances all round.
A special mention must go to Sergi Lopez, whose 'Captain Vidal' is indeed one of the most sadistic film creations ever seen. Yet he manages to make the audience understand why he is the way he is ... an astounding performance. Maribel Verdu's quiet but rebellious housekeeper is one of the strongest female roles I've seen in many a year, and she is supported by a wealth of talent. Young Ivana Baquero is surprisingly self-assured as 12-year-old Ofelia, and I especially liked her almost Alice-like approach to the magical creatures she encounters in the labyrinth. The icing on this warped fairy tale is Doug Jones, who gives a towering performance - and in this case literally, as well as figuratively - as the guardian of the labyrinth, a faun, full of grace and charm and latent menace. Although dubbed, his Spanish is perfect (Jones speaks not a word of the language), and his physical presence is incredibly powerful as his character teases, cajoles and harries Ofelia to fulfil her tasks. He also plays the devastatingly creepy and disgusting 'Pale Man' - a creature that almost equals Vidal in his terrorising habits.
But the cast is just one facet of this gloriously photographed film, with Javier Navarrete's hauntingly simple score weaving itself into the fabric of a film perfectly edited and written. The brutality of post-Civil War Spain contrasts with the world of magic to which Ofelia is drawn, yet everywhere she goes she has choices to make. In fact the film is about choices, good and bad, and one discovers that no matter how desperate a situation becomes, a choice is always available - although that choice may mean one's death. The film is violent - very violent, but each moment of brutality, although graphic, has a purpose