Follows the journey of sisters who are believed to possess the supernatural ability to connect with ghosts. They cross paths with a visionary French producer while performing in Paris.
|Release Date||:||November 16, 2016|
|Genres||:||Drama, Fantasy, Mystery|
|Production Company||:||France 3 Cinéma, Les Films Du Fleuve, Les Films velvet|
|Production Countries||:||Belgium, France|
|Writers||:||Robin Campillo, Rebecca Zlotowski|
|Casts||:||Natalie Portman, Lily-Rose Depp, Emmanuel Salinger, Amira Casar, Pierre Salvadori, Louis Garrel, David Bennent, Damien Chapelle|
|Plot Keywords||:||sister sister relationship, ghost, woman director|
In Paris of the 1930s reality and illusion combine in myriad ways for visionary American sisters Laura (Natalie Portman) and Kate Barlow. The sisters manage to convince an ingenious and successful film producer, Andre Korben, that they can communicate with the dead and thereby reveal significant truths. Andre convinces the nomadic sisters to stay and star in his new film. As Kate and Laura launch their careers in film they discover different aspects of themselves in romance as well as acting, that place immense strains on their finances, sisterly connection and their new found benefactor even as a looming war and all the hatreds it invigorates - threatens to envelope them all.
The memories, visions and prophecies of Planetarium's characters are beautifully illuminated and invigorated by dream sequences, poems and imagery of snowfall, the night sky filled with stars and twilight. There is wonderful depth and splendor in these machinations. There is a lovely poem about creatures with wings, and the spectacular feeling that sweeps over you when the window is opened and they choose to stay instead of flying away. A main theme of the film, that art, acting and stories - like ghosts - lead us to important truths, is very compelling, yet I wish the links and transitions were clearer in this respect. Natalie Portman's performance is exquisite. She manages emotional ambiguities, such as between hope and bitterness, so well. She delves into the playful sexuality that I loved so much in Black Swan. I wish there were longer and more frequent dream sequences. Seen at the 2016 Toronto International Film Festival.