Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
|Release Date||:||July 19, 1995|
|Genres||:||Drama, Crime, Thriller|
|Production Company||:||Blue Parrot Productions, Bad Hat Harry Productions|
|Production Countries||:||United States of America|
|Director||:||Bryan Singer, Haley McLane, Wendy Dallas|
|Writers||:||Christopher McQuarrie, John Coven|
|Casts||:||Stephen Baldwin, Gabriel Byrne, Chazz Palminteri, Kevin Pollak, Pete Postlethwaite, Kevin Spacey, Suzy Amis, Giancarlo Esposito, Benicio del Toro, Dan Hedaya, Paul Bartel, Carl Bressler, Christine Estabrook, Clark Gregg, Morgan Hunter, Louis Lombardi, Frank Medrano, Ron Gilbert|
|Plot Keywords||:||law, relatives, theft, criminal, criminal mastermind, hungarian, sibling|
If plagiarism were a crime in film techniques, director Bryan Singer would be imprisoned for life. Screenwriter Christopher McQuarrie would be serving a similar sentence. However, since it is not, Singer and MacQuarrie (who have joined forces again after the not-so-successful PUBLIC ACCESS) took advantage and duplicated nothing but the best. From CASABLANCA to PULP FICTION, and even a version of a line (intentionally or otherwise) from BUTCH CASSIDY AND THE SUNDANCE KID.
Many people oppose watching a film with a twist a second time. I disagree. By watching it again you can observe how the director and the screenwriter have hidden and revealed clues, how they have tried to steer the audience away from the ending. First time is for entertainment. Second time is for art. This film is certainly worthwhile to see again. To date, I have watched it five times. (Two of those five times I thought, 'well, I'll just watch about half-an-hour,' but ended up watching the entire film because it is so entertaining.) I'm not exactly a noir fan, so it is assured that this particular crime film appeals to a wider audience.
THE USUAL SUSPECTS has a skilled director, an engrossing screenplay, and ten praiseworthy performances. The film runs a fast 105 minutes. Don't miss a minute of it.