In a small Alabama town in the 1930s, scrupulously honest and highly respected lawyer, Atticus Finch puts his career on the line when he agrees to represent Tom Robinson, a black man accused of rape. The trial and the events surrounding it are seen through the eyes of Finch's six-year-old daughter, Scout. While Robinson's trial gives the movie its momentum, there are plenty of anecdotal occurrences before and after the court date: Scout's ever-strengthening bond with older brother, Jem, her friendship with precocious young Dill Harris, her father's no-nonsense reactions to such life-and-death crises as a rampaging mad dog, and especially Scout's reactions to, and relationship with, Boo Radley, the reclusive 'village idiot' who turns out to be her salvation when she is attacked by a venomous bigot.
|Release Date||:||December 25, 1962|
|Production Company||:||Universal Pictures|
|Production Countries||:||United States of America|
|Director||:||Robert Mulligan, Meta Rebner, Joseph E. Kenney, Terry Morse, Jr.|
|Writers||:||Horton Foote, Harper Lee, Harper Lee|
|Casts||:||Gregory Peck, John Megna, Frank Overton, Rosemary Murphy, Ruth White, Brock Peters, Estelle Evans, Paul Fix, Collin Wilcox Paxton, James Anderson, Alice Ghostley, Robert Duvall, William Windom, Crahan Denton, Richard Hale, Mary Badham, Phillip Alford, R.L. Armstrong, Eddie Baker, Bobby Barber, Danny Borzage, John Breen, Jess Cavin, Steve Condit, David Crawford, Frank Ellis, Charles Fredericks, Herman Hack, Jester Hairston, Chuck Hamilton, Kim Hamilton, Michael Jeffers, Dick Johnstone, Colin Kenny, Ethan Laidlaw, Nancy Marshall, Charles Morton, Paulene Myers, William H. O'Brien, Joe Ploski, Hugh Sanders, Mabel Smaney, Cap Somers, George Sowards, Ray Spiker, Kim Stanley, Kelly Thordsen, Arthur Tovey, Sailor Vincent, Max Wagner, Bill Walker, Joe Walls, Dan White, Guy Wilkerson, Chalky Williams, Audrey Betz|
|Plot Keywords||:||black people, based on novel, brother sister relationship, becoming an adult, isolation, arbitrary law, socially deprived family, tree house, wrong accusal, farm worker, intolerance, exclusion, court case, defence, right and justice, court, title spoken by character, child|
To Kill a Mockingbird is the movie based on the Harper Lee novel of the same name about Scout, Jem and their father, Atticus Finch who is an attorney in a small southern town. It is both a coming of age story about the children as well as a hard-hitting drama, as Atticus defends a black man who is on trial for the rape of a white woman.
This review is not an easy one to write, despite the fact that I have seen this film at least 10 times. The reason it does not come easily is that this is one of the most personally important films I have ever seen and is in my personal `Top Five of All Time'. I'm certain there is nothing that can be said about the film that has not already been repeated a multitude of times, so I guess the best thing to do is explain why the film is so important to me.
I first saw this film several years ago and was so profoundly affected by it that I immediately watched it again. Of course, the defense of a man wrongly accused of a crime is a common story line, but To Kill a Mockingbird stands out as an exceptional example for several reasons. Among them, the date that the film was released: 1962, on the cusp of the civil rights movement in America, and the fact that it takes place in the south in the 1930's. It is also far from the first film to explore the experiences of children and their own personal growth, but To Kill a Mockingbird stands out because of its sheer honesty and natural performances by the child actors portraying these rich characters.
But most of all, this film is special because of Gregory Peck's portrayal of Atticus Finch, a true hero. At the risk of sounding histrionic, my heart aches when I watch him on screen because he is such an incredible man, and is so inherently good. No matter how many times I have seen this film, I smile when I see his interaction with his children, and I well with tears when I see his incredible strength of character. (No easy feat to break through the armor of this cynical film geek who, if given the chance would remake at least a few dozen films with tragic endings.) I was sitting in my car listening to National Public Radio recently the day Gregory Peck died, and I'm not ashamed to admit that I sat and cried hearing the retrospective they offered mainly because the man who portrayed my own personal cinematic hero was gone, but also because Peck lived his life with the same conviction as his best known role; a fact that makes Atticus Finch all the more tangible. The American Film Institute recently named Atticus Finch the number one hero of all time, a choice I consider both brave and insightful in an age where our heroes generally either wield weapons or have super human physical strength. Atticus Finch fights evil as well, but with his strong moral fiber and his mind.
To Kill a Mockingbird is generally required reading during the course of one's education. If you have not read it, do so. If you have not seen the film, do so; and share it with others. It is an exceptional film that stands the test of time and will remain an important addition to film history for as long as the genre exists.